Bushman rock art across the seven seas, attests to palaeolithic painters navigating the diaphanous rock surface with articulate paintbrushes, encountering and describing revelations along the way. The Oldest Masters, they are the patriarchs of eons of art history, and creators of the longest-surviving visual art in the world.
The Bushman’s approach to rock art, though veiled in mystery, is the common inheritance of domesticated peoples who fell from Eden, whose art still reflects a memory of Paradise. With paintbrush, chisel or hand, humans continue to express and commune with the divine through visual creations. And so Art History tells us a remarkable, elliptical story of people’s experience in and of the world. It is the oldest form of documented History, apparently.
With so many strata of art gems embedded in the veiled recesses of magical time, your point of entry into the art world can only ever be right now! Consider: why are the world’s major art movements, though so different from each other, all special in their own way? The answer is simple but deep: History is always new!
The Moving Bushman (2026; Acrylic on masonite; collaborative ”rock wall” with Antoinette Nel and students at Yzerfontein Academy)
The Dorpshuys (2026; Engraving – acrylic and pastel on A4 paper; On exhibition at The Old Village Art Gallery, Citrusdal)
Mushroom Magic (2025) (Mosaic – in collaboration with the Sandveld Art Society – commissioned decoration of a garden bench for Frances and Graeme Williams of Redelinghuys)
The holy pass of Groenberg (Northern Cedarberge) between moonrise and sunset (2025; Watercolour on wcolour paper, A3 size. On exhibition at The Old Village Art Gallery, Citrusdal)
Mythaka (2025; Oil on hardboard; A3 size; GIVEN to Frederik van Bart)
Dolosse (2025; oil on masonite, 37x31cm)Avatar Annie (2025; Oil on cardboard, 40x31cm, KEPT)Verlorenvlei atElandsbaai (2025; watercolour on wcolour paper, A3 size. On exhibition at The Old Village Art Gallery, Citrusdal)The Painting Party (2025; Oil on masonite, GIVEN to the participants)Cedarn Star viewed from Obs (Watercololour on wcolour paper, A3 size, SOLD.)Divine Sundance (2025, Oil on masonite, 34cmx50cm.)
Zen made easy:Christopher of Piket-bo-berg (2025; Enamel Paint dripped on paper, A3 size)
Christopher (2025; Chalk Pastels on A3 Paper)Redelinghuys Inklusief (2025; Watercolour on A3 watercolour paper)The meeting of the wizards (2025; Oil Pastels on A3 paper)Bridge toTerabithia (2025; Charcoal on A3 paper)The Argonautica (2025; Watercolour on A3 watercolour paper)The holographic enigma (2025; Acrylic on A3 paper; on exhibition at the Old Village Art Gallery, Citrusdal)It’s a beautiful life (2025; Self-portrait, Charcoal on A3 paper)Moonlit witchery (2025; Charcoal on A3 Paper)Rock Painting of the Verlorenvallei from Diepkloof (2025; Watercolour on A3 Watercolour paper, SOLD)Renewal of the Silent Cedarberge (2025; Watercolour on A3 wcolour paper, SOLD)Distrik Groot Marico (2024; Charcoal on A3 paper, SOLD)Grootkloof after the Great Flood (2022; Watercolour on A3 Wcolour paper. On exhibition at Grounded Café, Redelinghuys)Pawprints/Spore (2021; Watercolour on A3 watercolour paper, SOLD)The Blessed Realm of Grootkloof (2020; Watercolour on A3 wcolour paper. On exhibition at Grounded Café, Redelinghuys.)The Mermaid of the Marico River (2018; Watercolour on A3 watercolour paper. On exhibition at The Old Village Art Gallery, Citrusdal)
3. AKANYANG PATRICK MOLOI
Ancestral Calling in Grootkloof (2020; Watercolour on A3 wcolour paper)The Crossing (2021; Watercolour on A3 wcolour paper)Grootkloof Picnic (2023; Watercolour on A3 wcolour paper)Up the Creek (2020; Watercolour on A3 watercolour paper)
4. LETHLOGONOLO MOTHLAPING
Grootkloof Rock Shelter (2022; Watercolour on A3 wcolour paper)Ditsy (2021; Enamel on A3 paper, R2300 framed)Dotty (2021; Enamel on A3 paper)Batswana Lapa (2024) (Charcoal on A3 paper)
5. KATLEGO MOHAPI
Self-portrait (2021; Crayon and acrylic paint on A4 paper)
6. ONNALENA SHARON KEDIGE
Chagalesque Complementaries (2018) (Acrylic on A3 Paper)
